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31.03.2024 11:18 (UTC)[zacytuj]
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31.03.2024 14:58 (UTC)[zacytuj]
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01.04.2024 01:58 (UTC)[zacytuj]
By the turn on the 20th century, amateur advisors and publications were increasingly challenging the monopoly that this large retail companies had on design. English feminist author Mary Haweis wrote a few widely read essays within the 1880s during which she derided the eagerness that aspiring middle-class people furnished their houses in line with the rigid models accessible to them with the retailers.[10] She advocated anyone adoption of the particular style, tailor-made to the average person needs and preferences from the customer:

"One of my strongest convictions, and one with the first canons of fine taste, is our houses, such as the fish’s shell plus the bird’s nest, will need to represent our individual taste and habits.
The move toward decoration to be a separate artistic profession, unrelated on the manufacturers and retailers, received an impetus while using 1899 formation on the Institute of British Decorators; with John Dibblee Crace as the president, it represented almost 200 decorators throughout the country.[11] By 1915, the London Directory listed 127 individuals trading as interior decorators, that 10 were women. Rhoda and Agnes Garrett were the very first women to learn professionally as decorators in 1874. The importance of their work towards design was regarded back then as using a par achievable of William Morris. In 1876, their work – Suggestions for House Decoration in Painting, Woodwork and Furniture – spread their applying for grants artistic design to a wide middle-class audience.[12]

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02.04.2024 01:44 (UTC)[zacytuj]
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02.04.2024 08:39 (UTC)[zacytuj]
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